Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, July 20, 2020

Self-Reflection

I picked up my camera, something I hadn't done in weeks, and turned the lens on myself. I'm sure many of us are doing some major self-reflection during this time of Covid. Lots of questions about the future are coming around, including: will I be alive by the end of the year?

I'm falling on my Buddhism to work through themes of impermanence, death, livelihood.  My biggest solution to all of this is...I don't know.  Live in the "Not-Knowing" was a big theme in American Buddhist Bernie Glassman's philosophy.

I simply don't know what's coming next.  Then again, I didn't know what was coming next without Covid. Things are always uncertain, unknown. Covid is just magnifying how fleeting we really are.



I don't know. I just don't.

Friday, July 10, 2020

Crowd Source, No Masks Required

During this Covid19 quarantine, I really miss crowds of people. No masks required. Some photos down memory lane.

Resist March, 2017

Ruby Ibarra Concert, Getty Museum, 2019

Bhikku Bodhi Buddhist Retreat, 2020
Lotus Festival, 2017

Circus Vargas, 2017
Fil-Am Veterans March, 2018

Wednesday, October 30, 2019

Revisiting Filipinos on a Saturday Night


A few years ago, I discussed the phrase "You look like a Filipino on a Saturday night" and its reference in a Raymond Chandler Novel. (See video above with host G. Tongi and Cecilia Mangeurra Brainard)


It was a good discussion on how Filipinos were viewed  in the earlier part of the last century.  It was not a positive view.  I'm glad to be living now, creating what it means to be Filipino American.






Tuesday, September 24, 2019

Portraits at the Proud Festival


I took these portraits in 2017 at the Downtown LA Proud festivals.  Their faces are intriguing to me.



The Color Purple, 2017

Girl with Freckles, 2017

The Smirk, 2017

Friday, July 22, 2016

Literary Images: On Mapplethorpe, Star Trek and Being Seen

I had the pleasure of going to the Mapplethorpe shows at LACMA and the Getty.  They were amazing.  He shot iconic images and he was one of many artists we'd lost to AIDS.  His photographs tell a story of a time and place in latter part of the twentieth century.  They speak of what was attractive and interesting and edgy during the 1970s and 1980s.

Robert Mapplethorpe
Mapplethorpe's eye was truly one of a kind.  From his photographs, one can see how moving and controversial his photographs were.  He spoke of gay sex and sexuality.  He spoke of S&M--in this world of Fifty Shades of Grey, people would hardly blink now.

 
He loved working with models of color.


 
One of his favorite models was Asian female body builder Lydia Cheng.


He photographed many celebrities.


Grace Jones
Yet through these images, I kept looking for the photographs of Asian men.  As an Asian man who counts the 1980s as formative years, I thought it was interesting that we weren't there.  This is NOT a slam of Mappplethorpe.  However, I do think it was common to treat Asian men, particularly gay Asian men, like we didn't exist. The world, it seems, is merely black or white.


I also saw Star Trek Beyond.  I wanted to support the movie on the first weekend, the most important weekend for a movie.  I usually don't go to the first weekend--too crowded--but I wanted to support this.  Why?  Because it was announced that Sulu, played by John Cho, would be gay.  A gay Asian man in the future!


I was more than thrilled to know that he had an Asian husband and a child.  He had a family!

Actor/Writer Doug Jung
It was important to me that his husband was Asian.  What does it say about a gay Asian man when he couldn't even entertain the idea of loving someone who looked like himself?

I spend years at the Asian Pacific AIDS Intervention Team trying to convince my peers that safe sex was self love.  I enjoyed seeing the new Star Trek.  Even though the gay Asian story line was implied, it was nice to be part of the narrative.  It was nice to be seen.