September Sightings

Hi all,

I would love to see you this September. I have a ton of activities. Please join.

September 3

Sunday Jump, 5-7pm

Pilipino Workers Center

153 Glendale Blvd

LA  CA  90026

September 16

Book Party, 3pm

Skylight Books

1818 N. Vermont

LA  CA  90027

September 25

Canisius University, 5:30pm

Andrew L. Bouwhuis Library Learning Center

Buffalo, NY 

September 26

PEN America Reading,7pm

Earth, Wind, Fire, Music:

A Celebration of New Work.

Second Home

1370 N. St. Andrews Pl.

LA  CA  90028

Speaking at Spoken Interludes on March 7

 When Delaune Michel invited me to do this event on Sunday, I actually got real emotional. I remember when I was asked to do this legendary literary salon almost 20 years ago. I was younger and knew that Spoken Interludes was a REAL big deal. 

It was validating to be asked, considering that there were many others who DIDN'T ask. I changed a lot. I'm reading an essay on leading a Buddhist death ritual for a friend who was passing away. The essay will be the first time I'd read it out loud. Reading something publicly makes a piece of writing real for me. It's not just tucked away in a computer or in my mind. It's a living, breathing being. It becomes alive somehow.

Please join us. It's FREE. Register HERE. 

What I Think of When I Hear "Virus"

Nothing is more triggering to me than the words:  Flu-like symptoms. It was what I had to look for if I thought I may have been infected with HIV.

Maricon, 2017

"Flu-like symptoms" is being bandied about when it comes to Covid-19.  With Covid-19, I remember feeling abandoned, scared and alone during the time of AIDS.  I was a boy who grew into a man during the AIDS epidemic. It has carved me into a particular kind of person.

I saw AIDS destroy people, families and communities.  I could have been dragged into that.  I'm grateful for the gutsy, fearless queers and freaks and rebels and outsiders who said, Fuck This!

We will fight the assholes and take care of our own.

Yes, I was damaged, but I was put back together again.

I don't know how I'll weather through this pandemic. However, there's a part of me that feels strong, skilled because of what AIDS had done to me.

I learned to be here...for me, for you. For us.

Portraits at the Proud Festival

I took these portraits in 2017 at the Downtown LA Proud festivals.  Their faces are intriguing to me.

The Color Purple, 2017

Girl with Freckles, 2017

The Smirk, 2017

Los Angeles is Burning

Over 25 years ago, I saw a documentary Paris is Burning, capturing the very queer ball scene of New York. I was blown away of these stories of queer people of color living their very best lives, finding families when their own biological families may have shunned them.

The ball scene made famous "Vogueing" which Madonna brought to the mainstream. 

The ball scene continues today. It is performance, it is fierceness, it is church. With shows like Ru Paul's Drag Race, one can see how competitive and fabulous drag queens and trans people can be.  

Recently, I went to the Proud Festival in Downtown Los Angeles.  There was an impromptu Vogueing competition, very much like the kind seen in Paris is Burning.  But it wasn't New York is was smack down in downtown Los Angeles.

I'm sure many of these dancers weren't even born when Paris is Burning was made in the early 1990s. This tradition of mostly black and brown queers is wonderful.  In these videos, you can hear me screaming, Yaaaas!

What makes this more incredible is that the ball scene was usually hidden away, kept in secret ball rooms.  But here we are in downtown LA, all are welcome to witness. In the above video, I love how there's an Asian couple watching.

Being there, among free queer people, there was a sense of the divine--that God or God-like forces were present.  It was truly uplifting.

Remembering Ayofemi, Remember Why

Ayofemi Folayan passed away recently.  She was my first writing teacher, and I owe her a tremendous amount of gratitude.  In the early 1990's, I was a few years out of acting school, and not acting.  Creativity had always been a strong tool in dealing with the world, and I needed to be creative.  As any actor will you, you're never acting enough and you're usually waiting for someone's permission to act. 

I started her writing workshop, a space she had for LGBT people of color.  She wanted space for young writers to say whatever they wanted to say.  She encouraged writing exploring issues of being a double minority.  I had been in creative spaces before--I had a degree in Theatre.  However, her class was different.  She asked us to travel deeply within ourselves, uncork our thoughts on truly difficult themes: racism, homophobia, immigration.  She helped me become a person who could comfortably speak my mind--with tact and generosity.  She helped developed my Voice. 

One day, she said she was selling her computer for a newer one.  I bought it.  And still have it.  I typed out stories on this old clunker.  I dug it out to look at it and remember my joy of writing in the first place. 

It's been twenty years, and I may have become a little jaded.  I'm being asked to consider "the market" when I write.  Can I sell whatever story I'm writing.  I must confess I had been having some frustration with my current novel.  I feel like my Voice had been muddled.  I'd been choking on what to say.

With Ayofemi's passing, I'm reminded as to why I started writing.  I wanted to do something honest and true.  I wanted to put something out in the world that was valuable.  I wanted to be the kind of writer Ayofemi would have been proud of.  And I still do.

 

 

Thank you, Ayofemi, for your service.

"LGBT Writers Who Inspire Us" on June 6th!

Skylight Books has been kind enough to allow me to curate this series.  It's been in existence for three years, and falls on the eve of Gay Pride in Los Angeles.  On June 6, the work of James Baldwin, Oscar Wilde, Lidia Yuknavitch, Eloise Klein Healy, and Jerome Steuart will be explored by some of today's finest writers.  Naomi Hirahara, Ali Liebegott, Wendy Ortiz, and Jervey Tervalon will light up the night!

 

June 6

7:30pm

Skylight Books

1818 N. Vermont Ave.

Los Angeles  CA  90027

FREE

 

Naomi Hirahara is an Edgar Award Winning writer.  Her debut mystery Summer of the Big Bachi received a starred review from Publishers Weekly.   It has been included in the trade magazine's list of best books of 2004, as well as the best mystery list of the Chicago Tribune. Gasa-Gasa Girl, the second Mas Arai mystery, received a starred review from Booklist and was on the Southern California Booksellers' Association bestseller list for two weeks in 2005. Most recently Snakeskin Shamisen, the third in the series, was released in May 2006. In April 2007 it won an Edgar Allan Poe award in the category of Best Paperback Original.

Ali Liebegott is the author of the award-winning books The Beautifully Worthless and The IHOP Papers. In 2010 she took a train trip across America interviewing female poets for a project titled, The Heart Has Many Doors; excerpts from these interviews are posted monthly on The Believer Logger.

Wendy C. Ortiz is a Los Angeles native. Her first book, Excavation: A Memoir, will be published by Future Tense Books in summer 2014. Her second book, Hollywood Notebook, is forthcoming from Writ Large Press in 2014. She currently writes the monthly column "On the Trail of Mary Jane" about medical marijuana dispensaries in Los Angeles for McSweeney's Internet Tendency. 

Jervey Tervalon is the author of All the Trouble You Need, Understand This, and the Los Angeles Times bestseller Dead Above Ground. An award-winning poet, screenwriter, and dramatist, Jervey was born in New Orleans, raised in Los Angeles, and now lives in Altadena, California, with his wife and two daughters.
 

Writing for the Los Angeles Review of Books

I was thrilled to be asked to write a review for Los Angeles Review of Books.  It can be exciting and scary writing a review.  I'm asked to bring my best critical thinking skills--which is good!  However, sometimes a book can be a real stinker--which is bad.  Fortunately, that was not the experience reviewing Two Boys Kissing by David Levithan.

From the review:

Fortunately, Levithan did not write a mere “It Gets Better” novel. Thank Gawd! “It Gets Better,” a ubiquitous phrase to discourage gay youth from committing suicide, was uttered by every LGBT ally, including President Obama. It was a pat message telling young queers to hold-on-and-things-will-look-up. What was missing in the messaging was this: it only gets better if we make it so. This kiss in Levithan’s novel is a defiant act, one that has actual strength.


The full review can be found here.

Lammy Noms Are In!

(Above, Lambda Lit. Executive Dirctor Tony Valenzuela)

Congrats to the Lambda Literary Award Noms! Click here. The Lammy's is one of my faves when it comes to award season. It basically mentions some of the best LGBT work that came along in the last year. I'm always amazed at how many books I didn't know about. That, in itself, is why such awards exist: to give publicity to books that so desperately need it.

I was happy to see that a few of the books that I realy enjoyed were nominated (Blue Boy, Salvation Army, Silverlake). I judged one year and know how hard it is to come up with finalists. There was obvious junk in the pile of books I was asked to read, but there were some really great stuff. I was given 22 books to read in my category. Of those 22, there were 8 or 9 books that were really great. Unfortunately, there were only five slots. My peers went back and forth, back and forth and settled on five titles we seemed to agree on.

It's a hard job, but I guess that's why it's called "judging."