Write with Me!

I'm teaching the short story form at UCLA Extension. Please join me.  Classes begin on October 3. I'm working out of the downtown Los Angeles campus. More information HERE.

Story Read in Hi-Fi

This is the first time that I'd been fully recorded reading a short story. If you're not into reading and would rather be read to, here's a video for you.

I'm reading from my short story Music Heard in Hi-Fi, which was published in Sunday Salon. It was a joy reading at Sunday Jump, a monthly open mic in Historic Filipinotown.

"LGBT Writers Who Inspire Us" on June 6th!

Skylight Books has been kind enough to allow me to curate this series.  It's been in existence for three years, and falls on the eve of Gay Pride in Los Angeles.  On June 6, the work of James Baldwin, Oscar Wilde, Lidia Yuknavitch, Eloise Klein Healy, and Jerome Steuart will be explored by some of today's finest writers.  Naomi Hirahara, Ali Liebegott, Wendy Ortiz, and Jervey Tervalon will light up the night!

 

June 6

7:30pm

Skylight Books

1818 N. Vermont Ave.

Los Angeles  CA  90027

FREE

 

Naomi Hirahara is an Edgar Award Winning writer.  Her debut mystery Summer of the Big Bachi received a starred review from Publishers Weekly.   It has been included in the trade magazine's list of best books of 2004, as well as the best mystery list of the Chicago Tribune. Gasa-Gasa Girl, the second Mas Arai mystery, received a starred review from Booklist and was on the Southern California Booksellers' Association bestseller list for two weeks in 2005. Most recently Snakeskin Shamisen, the third in the series, was released in May 2006. In April 2007 it won an Edgar Allan Poe award in the category of Best Paperback Original.

Ali Liebegott is the author of the award-winning books The Beautifully Worthless and The IHOP Papers. In 2010 she took a train trip across America interviewing female poets for a project titled, The Heart Has Many Doors; excerpts from these interviews are posted monthly on The Believer Logger.

Wendy C. Ortiz is a Los Angeles native. Her first book, Excavation: A Memoir, will be published by Future Tense Books in summer 2014. Her second book, Hollywood Notebook, is forthcoming from Writ Large Press in 2014. She currently writes the monthly column "On the Trail of Mary Jane" about medical marijuana dispensaries in Los Angeles for McSweeney's Internet Tendency. 

Jervey Tervalon is the author of All the Trouble You Need, Understand This, and the Los Angeles Times bestseller Dead Above Ground. An award-winning poet, screenwriter, and dramatist, Jervey was born in New Orleans, raised in Los Angeles, and now lives in Altadena, California, with his wife and two daughters.
 

Hope and Inpiration at Jury Duty

Last week, I had to be at the Van Nuys courthouse by 10am to report for jury duty (JD).  I've done JD many times.  I was usually assigned a courthouse in downtown Los Angeles.  The drive into the San Fernando Valley on a weekday morning was not something I looked forward to.  However, I wanted to do my civic duty.

I brought stuff to read.  I brought my laptop to the jury waiting room.  I'm doing rewrites on some creative projects.  The work never seems to be ready.   

I was prepared for a long and dreadful day.  Then I saw a stack of New Yorkers.  I used to be an avid reader (when my boyfriend subscribed to it).  I hadn't been with him in many years, but always enjoyed an issue when I saw one lying around, say in a doctor's office. 

On this day, there was a stack of them.  Thanks to the kind soul who left New Yorkers around for jurors to read--Good Housekeeping was not something I would have picked up for reading material.
 

I believe that things happen for a reason.  If sending me to Jury Duty was the only way the Universe would get me to read the April 29, 2013 issue of the New Yorker, I offer prostrations to all of the Gods in Heaven.  I stumbled across John McPhee's "Draft No. 4," which can be previewed here. 

The article basically talked about getting the first draft done of any writing and how the fourth draft usually looks like the most presentable.  It was this letter to his daughter, that inspired me.

Dear Jenny:  The way to do a piece of writing is three or four times over, never once.  For me, the hardest part comes first, getting something--anything--out in front of me.  Sometimes in a nervous frenzy I just fling words as if I were flinging mud at a wall.  Blurt out, heave out, babble out something--anything--as a first draft.  With that, you have achieved a sort of nucleus.  Then, as you work it over and alter it, you begin to shape sentences that score higher with the ear and eye.  Edit it again--top to bottom.  Chances are that about now you'll be seeing something that you are sort of eager for others to see.   And all that takes time.  What I have left out is the interstitial time.  You finish that first awful blurting and then you put the thing aside.  You get in your car and drive home.  On the way, your mind is still knitting at the words.  You think of a better way to say something, a good phrase to correct a certain problem.  Without the drafted version--if it did not exist--you obviously would not be thinking of things that would improve it.  In short, you may be actually writing only two or three hours a day, but your mind, in one way or another, is working on it twenty-four hours a day--yes, while you sleep--but only if some sort of draft or earlier version already exists.  Until it exists, writing has not really begun. 

Writing Workshop at Cal-State LA

I'll be teaching a writing workshop at Cal-State LA on Monday, November 1 at 3pm.

I'll be in the Alhambra Room, 3rd Floor of the University-Student Union.

Cal-State LA

5151 State University Drive

LA CA 90032

Call the Cross Cultural Center for more information: 323.343.5001.